Amilynne Gets It Wrong

Amilynne and I got in a discussion today over Christine's World. The discussion was prompted by my telling her about my trip to MoMA. I took the above picture just for her, but I guess now it's for everyone. Anyway. So here I am standing next to this amazing painting. And here's how Amilynne got it dead wrong.

You see, the painting is of Christine, who has fallen and can't get up, and is so dreadfully far away from the farmhouse, she could pull herself along with her hands, but that would really be a rough job, and by the time she got there, her pretty pink dress would, at the best, be grass stained, and at the worst, be torn to rags. How did she get there? Don't know. But the immensity of the space between her and the house shows that she's not getting back any time soon.

Amilynne about died when I said that she couldn't get up. She says that Christine chooses not to get up. She is just there relaxing.

Amilynne is usually right on mark, but this one she absolutely doesn't get. See how Christine is downhill from the house? See how there is almost a swirling vortex between her and the house? See how her hair has flyaways on the sides? See how the farmhouse door and the path to it point away from Christine and off the side of the painting? (There aren't even any windows facing Christine - the house is blind to her.) See how everything is late autumn dead and not early spring green and alive? She's not going to make it in before the first winter storm blows in and freezes her to death. She is not calmly relaxing. She is not at home in bed eating bonbons.

So free will or determinism? For once, Amilynne seems to be the optimistic one.